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The Longed for Trip

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The ties that bind. Ehalakasa…It lives in us.

Originally Posted On April 12, 2021, By thatTonguGirl

Right from when I received the warmest embrace into the Ehalakasa Family, I’ve been bathed with memories of their events and escapades. One of such memories was their occasional trips to Haduwa Arts and Culture Institute in Apam, Ghana. Just so you know, Haduwa is a serene haven not only for the family, but also all local, national and international artists. It has become a safe space for artists to connect with nature, create artistic works, improve their spirituality and most importantly rediscover themselves.

Now would you not agree that a memory such as this one can only be lived and not told? Mm hmm…I began to wait patiently for a date to be set for the next trip. Plans were advanced for the trip to happen immediately after our “2019 Environwomental Slum” on Climate Change and Action. But lo and behold 2020 had different plans for us all.

It did not only take from us our freedom to move but also our freedom to converge. Amidst that, I had hope, loads of hope. After all, it was what we were left with. The hope that things would go back to what they used to be. But like you, the wait became exceptionally longer than I had imagined.

And so, our physical world gradually merged with the virtual world. With technology at the centre of it all, we began to develop a transformative mind towards our creative arts. This is our new normal.

Good things, they say, come to those who wait but it’s sweeter when you least expect them.

The timing I would say was right. April 2021…hmm just perfect. I love to travel a lot. But for a long while I have not been able to do so. Well, this Tongu girl just got to plan it well and make it worthwhile. A journey that would be worth reminiscing with a broad smile.

Oops…let us anti-clock to what Ehalakasa is all about.

First of all, it is an acronym composed from three Ghanaian languages – thus Ewe, Ga and Twi. Eha means Song in Ewe. La means Sing in Ga and Kasa means Speak or Talk in Twi. Now that we understand the meaning of the name Ehalakasa, let me tell you what it is.

Ehalakasa is a community of artists with diverse arts. Right from Poets to Writers, Storytellers, Spoken word performers, Acoustic musicians, Choreographers, Painters, and the list goes on. The community’s goal is to awaken, inspire, and challenge artists to utilize the different art forms to advocate and address social, economic, cultural and political issues while projecting the values of Ghana. Their projects and activities comprise but not limited to the Ehalakasa Talkparty, the Ehalakasa Annual Slum and the Ehalakasa Senior High School Workshops.

Well, let me peg it there and bring you back to where we left off.

I had my clothes well pressed and baggage all packed for the Ehalakasa weekend getaway. Like I always do, I never forgot to add to my baggage a locally-made snack called, “Akatsi Kpɔnɔ” a biscuit made from starch by the people of Akatsi – a town in the Volta Region.

The Akatsi Kpɔnɔ

Saturday morning flooded my phone with series of missed calls from fellow Ehalakasaians. At about 8:45am I found myself waiting comfortably in a Mercedes Benz Sprinter minibus set for Takoradi to get full. Little did I know I was going to be the last person to arrive at Atlantic Beach Resort in Mumford.


I know my people never disappoint. At least not when Akambo, Nii Muzick and Faiba Bernard are around. I arrived in a pool of Eha, La and Kasa. But as an adage in my local dialect says,

“Ha dɔme ɖewo sena hafi ha kuna ati wo ke”

which translates, the belly of the pig must be strong in order for it to dig the root of a tree; I made sure I stuffed my belly with a ball of Kenkey and some fried fishes in the company of Bonkua The FanteGirl.

But as nature would have it, we still could not join the welcoming creative train. Hahahahaa…we got all drowsy and weak after the meal. And bed at that moment looked like one sexually attractive being to lay on.

Poof….we thought wrong. All those creative minds alighted from that creative train and bumped into our world before we could dare dream. They cunningly knitted the idea of a quality time at the beach into our stressed brains and got us joining that escapade. One we never regretted when all was said and done.


The beach was empty and very peaceful. The basin of the water compared to that of Accra was very clean. No plastic waste, no human debris, no harm in any form to the Sea. It was really refreshing to have the waves kiss my feet in absolute admiration without a piece of polythene greeting me. Once again, she sparked ablaze the love I almost forgot I had for her. I did not know I missed her that much. This got me writing a few words in memory to the reunion.

Dear Sea,

Words are not enough to narrate that which gets brewed in my bosom whenever your gentle waves rub my invincible hairs wet.

How could I not tell of your coarsely fine bed cushioning the soles of my feet every time I firmly lay them bare?

How could I not tell of the enriching sensation that bubbles up my groin? One that transfuses molten signals of need for your piercing chill and warmth all at the same time.

Sad as it might sound, the sight of you is a constant reminder of my inability to stylishly let go of myself under your rolling sheets.

Till we meet another time, hold on to this memory of us.

Your love,

Adzovi Sika.


Did I get you drenched in the letter? Aww…sorry about that.

Anyway, the quality time promised overflowed with several memories captured in frames. When the curtains finally drew over the Sky’s giant, we had Banku with grounded pepper and fried fish to console our bellies.

But you see, it can never be the last song for Ehalakasaians under a summer hut. Soon, we engaged in a game of cards. A game filled with deceit, doubt, disappointment, truth, confidence, and hope. This we played for several hours and had the best of laughter. One we graciously did in different tones and rhythms.

A caption from Sir Black that read, “In loving and losing memory of Humankind (the artist standing) who carried the night with fame“🤭

But when the drumbeats of sleep sounded, one after the other our feet guided us to our rooms, where the breezy night handed us to a sunny Sunday. Breakfast we had in the spirit of communism.

Although we were unable to visit Haduwa due to our short stay, Sir Black aided in paving way for our artistic selves to blurt out through series of brain games. This actually got me appreciating what we had before Covid-19 made its grand debut on this theatrical stage of life.

Two different teams playing it out on names of living Presidents in the world.

A trip I so longed for came after all. And now that I’ve shared with you the memory, don’t hold back to live it yourself.

Let us keep hoping and living one day at a time.

Xoxo.

Mawuli School Wins Maiden Inter-Schools Poetry Competition

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BY: Vivian Dzoboku | voltaonlinegh.com |

Mawuli School has emerged champions of the first-ever Poetry Competition organized for Senior High Schools in the Ho Municipality to commemorate this year’s World Poetry Day.

The competition dubbed “Ehalakasa Senior High School Poetry Slam Competition” was an initiative of Ehalakasa in partnership with Goethe Institut, Ghana Library Authority, and the Ghana Education Service.

A total of five schools, namely, Sokode Senior High Technical School, OLA Senior High School, Mawuli School, Taviefe Senior High, and Mawuko Girls Senior High participated in the competition held at the Ho Municipal Assembly Hall on Friday, March 19, 2021.

After three rounds of keen contest, Mawuli School emerged winner with 76 points, OLA Senior High came second with 73 points and Mawuko Girls secured the third spot with 71 points.

They were presented with cash prizes of Three Hundred Ghana Cedis (GH₵300), Two Hundred Ghana Cedis (GH₵200) and One Hundred Ghana Cedis (GH₵100) respectively, in addition to a plague each and sets of branded T-shirts. All the participating schools were awarded certificates of participation.

UNESCO first adopted 21 March as World Poetry Day during its 30th General Conference in Paris in 1999, with the aim of supporting linguistic diversity through poetic expression and increasing the opportunity for endangered languages to be heard.

The Organizer at Ehalakasa, Yibor Kojo Yibor alias Sir Black, speaking at the event, noted that, the competition did not only showcase the poetry talent of participants but also boosted their confidence level in public speaking. “Poetry as an art helps us to mature, think, expand, and gather information as well as research for information,” he added.

He thus entreated teachers to continue to nurture the interest of students in poetry, noting “this is the only way to project the Ghanaian culture and values”, likewise he called on stakeholders in the region to support the arts industry for what has been started to continue. `

The Head of Library and Information at Goethe Institut Ghana, Mad. Meli Eyram Portia Mansu, said the aim of decentralizing the initiative to the regions has been justified by the high level enthusiasm exhibited by the students during the competition, and called on stakeholders especially GES to sustain the initiative as part of promoting the region and Africa Literature.

The Volta Regional Librarian, Mr. Guy Amarteifio, in an address expressed gratitude to the organizers for pioneering the first ever poetry competition in the region, as he expressed optimism that, the idea to arouse the poetry interest in students and people in the region will not be truncated but rather turned into a daily activity in order to revive and sustain poetry in the region.

He also noted the Ghana Library Authority has launched the Ghana Library App to stimulate reading interest among the public, including school children.

A representative of the Regional Director of Education, Mr. Eric Kofi Gamadeku who also doubled as the chairman at the event in his remarks thanked the organizers of the competition and commended both the teachers and students for preparing in such a short notice and suggested the use of literary devices in the subsequent competitions.

Source: www.voltaonlinegh.com

The Son Of Africa; Of Skins and many things beyond Words and Music

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Well woven with fine threads of words to address the patterns of the African fabric, The._.Observer has done more than just his name sake. He focuses on the existent and pertinent elixirs of problems brewing continuously in the African pot.

He seeks to revisit these problems with subtle solutions that can muster such boldness on their own. From one mouth to the other, this piece of work can be described most accurately as a body of astute young wisdom and mastery of penmanship.

From ‘we are one people’ all through’ Africa54′, the listener is taken on an unending journey of life, poetry, music and a continues revival in rhythm and pattern, in soul and spirit, to awaken the African in him or her.

It’s no surprise that the collection has the master craftman himself, Nana Asaase; little wonder that Jo Nketia and Fawash, both from a female narrative, covered the expanse of true African voices.
The artistry and showmanship of Eli 360, and Ebo resonate throughout the pulse of this artwork. This sort of completeness in any poetry collection is unparalleled.

This is not something I should define in letters or paragraphs. This is what would demand an experience. And for a first collection, this is something really worth every ounce of your time.
And time, if you have any, should be used buying every bit of words and music from ‘The-Son-Of-Africa’.

The Observer set to release His Debut Album

From the heart of Adenta, a suburb of Accra, Ghana, a poet rises to defy all odds in order to stamp his feet and leave an indelible mark in the industry.

His name? The observer.

With a blend of lyrical deftness and entertaining delivery, he makes spoken word poetry appealing to the masses.

For three years, the Observer has been working on an Album titled “Son of Africa”.

According to him, “Son of Africa” is a journey that portrays the realities of the African dream, how far it has come and how it should go. The everyday life of an African youth is captured in each piece.

Reflecting his thoughts and the various conversations he’s had with friends and strangers, he believes the fears, worries, pains and joys of a regular African is represented.

“Son of Africa” has some notable features such as one of Ghana’s biggest spoken word poetry acts, Nana Asaase, revered poet, Jo Nketia and writer, Ebo Hinson who blessed the project with their masterclass. For a blend of more Africanism, it also has the feminine voice from Kenya, Fawash whose soothing tone brings in more magic.

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Son of Africa is available on all music platforms.

Son of Africa by The._.observer

https://deezer.page.link/1r8X3TwmZQjdY1DA7

SPECIAL INVITATION

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On behalf of my Team Ehalakasa, I like to invite you to join us this Friday December 25th to celebrate POETRY and to mark our last and final Online Show for 2020 dubbed “End of Year TalkPARTY PARTY”

This will be our 5th Episode in the 3rd Season. In total we’ve produced 31 weekly productions over a period of 7 months. This is what COVID19 has brought us, behold we are more connected than ever, thanks to CoronaVirus lol.

I like to assure you this show promises to be a great show, a relaxed one, chilled and smooth operation between YOU our Special Guests and our amazing moderators the Daunting King Natty & the Queen of Blackness Affumwaah lyrically luring you as we enjoy Christmas in WORD, POWER & SOUND.

We want you to come on and have fun with us.

We like to take this opportunity to say MERRY CHRISTMAS 🎁🎄 🎁🎄🎁🎄& A HAPPY NEW YEAR TO YOU ALL for supporting G3 CHANNELS/EHALAKASA all this years.

Kindly NOTE:
The show will start at 6:00pm / 18 hours GMT GHANA 🇬🇭 TIME.

ADMISSION FREE
I personally insist that you come into the show with a drink or a friend or both😜
The link to join us on the flyer.

Signed
-YiborMENT HRB-

O.K. D’Poet – “ASEDA” – ft. Odo Ama, Sefashi, Dee Speaks, Barima Yoofi, Prod. by Khendi

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Aseda Lyrics
OK D’poet:
Agyapa, wone me edi no yie. Wa ma afe no akɔ aprɔ abɛto me biom a, ɛyɛ Aseda.

Medifire mu ne mefiba mu nyinaa, wabome ho ban. Wakyerɛ mesɛ metwere ɔbotan.

Woka meho nti meda na mada.

Nnɛ yɛ mawoda, nnɛ nso yɛ obi wuda,
Enti sɛ nhyira no aso meso dea, ɛyɛ Aseda.

Yehowah…wona me were hyɛ wo mu na ɛnyɛ Gantama buddha…
Woyɛ Mabandenden…nti ɔbra no mu yɛɛ den no, mamma mabamu emmuda.

Ɔmo kaasɛ June deɛ na obiaa ewu…
Eso deɛ ɔmo susuyɛ no amma mu efirisɛ Nyame wo nsa wɔmu.
Ɔhyɛɛ gucci, mehyɛɛ abochie, eso yareɛ aka no ato mpam wɔ nugochie.

Kɔbisa madamfo Sarkwa….ɔse Nyame deɛ ɔmma yenwu Saakwa.
Nana Nyame ka wo ho a, one man thousand koraa dane bonsu

Ɔmo nya nanka yɛnsere da…nanka daa yɛsu…

Yesu…wamma menhyira koraa ebuso…medebi koraa ɛbɔ esu

Anadwo sɛ mekɔda na, sɛ ɔmo kankye kankye sɛ menbubu nyɛ apakye mpo a…Adom no nti adeɛkye ma,
mesɔre kɔma ɔmo maakye

Ɔmoo bɔɔ me abrɔ, ɔmo yanka yareɛ mmɔ me na menprɔ anaa mennya Sika mpo mfafa trɔ…Adom no
aso meso ama medi eduane pa na ɛnyɛ garifɔtɔ.

They encouraged me to lead but deep within, they wanted me to bleed.
So with every mile I took, they changed it to lime but God added light and put me in the limelight.
With all the key, they no dey barb why I dey chew success like khebab. I no get cash, I no get car but
blessings made me a De bee.
Odo Ama:
Mmmmmmm…..errrrr
Mɛdɔwoaama
Woaka me ho saa firi me mofra ase
Woahwɛɛ..me so
Firi me tiriwii de besi me nan ase
Deɛ me wɔ ka ne sɛɛ…
Agya Onyame yie … medawoase
Sɛ ɛnyɛ woa anka mahwease
Nanso wo sɔɔ me mu bɔkɔɔ
Ɛberɛ a ɔtamfo ano asɔ n’ani kɔɔ
Nanso woahunu mɔborɔɔ…no nti
Ɛnnɛ me da so me te ase oo

Enti medawasi twerɛduanpɔn kwameeeee
wadom Nti na madaso teaseee

yɛnfa yɛaseda ɛnnkoma obiaaaa Gye wodee
Woaaayɛ bi amma yɛn….gye woaseda aa yɛn Nyame
Sefashi D’poet:
Sogbolisa woakpe nye si lo
Ne de menye woe oa, aleke mawor hafi ale stylo
Wona meto avlime me le fesiame lo, gake woame nuvevé nabe nyeha mekpor agbebolo.
Jésus le vivant il le par mon.
Yesu le agbe mekunam o
Jésus le vivant il le par mon

Dee Speaks:
How on earth can I abandon the earthenware bowl that fed me to get me well- bred for yesterday,
today and tomorrow
That leaves me as an ingrate degrading me from grace to grass
Mehyɛ me na yefunu mu, wammu me s3 aboa funu bi
Na emom ɔbrempɔn ketewa aa ɔbɛyɛ ɔbrempɔn keseɛ
Ɔbɛka ne ho nsɛm akyerɛ amanaman, abibiman ne Ghana nyinaa.

Barima Yoofi:
Aseda
Okukuseku Nnipa hu yɛ hu
Okukuseku Nnipa tim yɛ sum
Enti sɛ adekye to me, ma mesɔre fre me kɛtɛ so te kokroko ah
Ɛma me hu sɛ Twerɛduanpɔn wo yɛ soronko
Adekye biaa wonnfa me nsii bebii faaako

Wo di me kɔɔ next level sɛ adonko
Animguasi ne owuo mɛhure
Enti menfa w’aseda nni
Papa ɛyɛ asedaa nkoaa
Ɛyɛ ayeyie nkoaa
Nhyira nkaa wo din daa.

Natty Ogli – Mr Politricktian

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Ehalakasa – To Riot or To Fight ft Yibor Kojo Yibor,  Erfryah, Barima Yoofi, IyamAtuahene, Natty Ogli

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This collective work was in response to the echoes of the words of the author Nguigi wa thiong’o, “Dawn of Darkness”, about the current international crisis. A creation by Yibor Kojo Yibor, Erfryah, Barima Yoofi, Atuahene and Natty Ogli.
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Natty Ogli – The Knew World Order

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Skrybla – I.C.O.N ft Yhaa Amponsah,Megborna, Maalirk (Prod.by-3nity)

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O.K D’poet – Sika Nti (Prod. By Khendi)

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